From the album "Excerpts from Interviews with Dock Boggs, Legendary Banjo Player and Singer" by Dock Boggs on Napster. Jont Blevins, Train 45 (I can’t find my source). a capo. Jim Connor, Ragtime Annie; Columbus Stockade (“Alabama Old Time Music”). In 1929 a man named W.E. George Gibson lists it as a variant of the “Moonshiner” gDGAD tuning; he plays in it a version of Texas Rangers that he learned from Mel Amburgey, a Knott County old-timer. He played several songs in a lower D-modal tuning. The guitar is able to intonate in this radical tuning by slanting all the frets and the nut, and allowing each string its own bridge; and thus its own scale length. Mike Seeger, Pretty Polly (“Mike Seeger & Alice Gerrard”). Rufus Crisp, Cumberland Gap (“Rufus Crisp”). Boggs' style is a synthesis of old mountain and blues styles. 2”). His sense of Dock Boggs has been a legendary figure in recorded American folk music since the early 1930's when such people as folklorist Alan Lomax, musicologist Charles Seeger, and artist Tom Benton first heard his old 1927 Brunswick record of Pretty Polly.. Tommy Jarrell & Paul Brown, Roundtown Gals (“Appalachia, The Old Traditions, vol 2”). This tuning is the same as dropped D and C, but lowered from dropped C an additional semitone, or half step. On a six string guitar, the tuning is modified to B,E,A,D,F#,Bb tuning takes B Standard on either a six or seven string guitar down a semitone (or half step). Eric Weissberg, No Title Yet Blues (“New Dimensions in Banjo & Bluegrass”), tuning courtesy of Donald Zepp. From the album "Excerpts from Interviews with Dock Boggs, Legendary Banjo Player and Singer" by Dock Boggs on Napster. G – DGBD –  Standard ‘G’ tuning for bluegrass. Moran Lee "Dock" Boggs (February 7, 1898 – February 7, 1971) was an American old-time singer, songwriter and banjo player. Now one of the commonest tunings in clawhammer style, above all for playing with “D” fiddle tunes. Eric Mintz, Peachbottom Creek (Tab, Ken Perlman’s in “Clawhammer Style Banjo”). Listen to Coal Creek March at Land Sale by Dock Boggs. Bob Carlin, with James Bryan, Geese Honking (Wild Goose Chase) (“Banging & Sawing”). Dock Boggs banjo tune played in gCGBD tuning, old-time three-finger style, taught by Chris Berry. “Standard-C”, “Single-C”, “Drop-C”,”C-tuning”. This tuning is the same as dropped D, but each string is lowered an additional whole step, or two semitones. fBbFCD. Heavier gauge strings are required for this tuning, which may also require widening the string grooves in the nut of the guitar as well as re-adjusting the tension in the neck. Don Borchelt, Greensleeves (Tab, BNL, Dec 1994). The Dock Boggs recording is in a true key of C# more or less so there's a challenge if you want to copy the key. On a 12 string pedal steel guitar, all 12 strings are tuned and played individually, not as 6 double courses as on the 12 string guitar. Blanton Owen’s liner notes for “Old Originals Vol 2” say that the Virginian Stuart Carrico considers the Double-C tuning to be older than the Standard-C. (Stuart was born at the turn of the century.). During this time he was influenced by contact with First string lowered to play in unison with 2nd. Ralph Stanley, Hard Times. George Gibson, considering this a variant of the open-D tuning, mentions that his father used it for Frankie and Albert, holding down the 2nd string at the 2nd fret and the 3rd string at the 3rd fret. He’ll release it with a show at The Grey Eagle on Sunday, Nov. 27. His version is pure banjo technique (frailing / rolls / proto bluegrass), my version is fingerpicked guitar, mostly alternating bass and melody line … Buzz Fountain, Southern Rose Waltz (“Old-Time Banjo in America”). Gaither Carlton, Pretty Saro (“The Watson Family Tradition”). Earl Scruggs, Nashville Blues. This is known as a “re-entrant” tuning and is very period.). Dick Weissman, Blues for Dock Boggs (“Old-Time Banjo Modern Style”). Excerpts from Interviews with Dock Boggs, Legendary Banjo Player and Singer. From Excerpts from Interviews with Dock Boggs, Legendary Banjo Player and Singer. He comments that Morgan Sexton used a similar rhythmic picking-pattern in his own version of the tune, Little Frankie (on “Rock Dust” and “Shady Grove”. I don’t know if it is traditionally called the “Willie Moore” tuning; Art Rosenbaum (in “Old-Time Mountain Banjo”) suggested that this song falls into it naturally. Bruce Molsky, Wild Bill Jones (“Lost Boy”). John gives his source for this as Banjo Bill Cornett’s performance on ‘Mountain Music of Kentucky’ CD version. Dock Boggs Sugar Baby Banjo Tab About Photos Mtgimage. Molly Tenenbaum, Cumberland Gap (“And the Hillsides Are All Covered with Cakes”). N.B. Robb Goldstein, Bonaparte Crossing the Delaware (Tab, BNL, Oct 1986). and people surrounding it, was sinful. He gives his source as “Josh Thomas of Hollins, VA, an exceptional blind black banjo picker and singer”, who was recorded in 1970 by Cliff Endress. Alternating among banjo, fiddle, and guitar, he draws on his encyclopaedic knowledge of the American folk canon. dock boggs and roscoe holcomb both played one. Dock Boggs recorded only 12 songs in the 1920s, but his raw, powerful singing and distinctive banjo-playing caused Harry Smith to include him in his Anthology of American Folk Music (SFW 40090) and Mike Seeger to search for him in the hills of Kentucky in 1963. Lee, when Dock made his first records he used the name Dock Boggs. Rick Abrams, Little Nell, fiddle tuned GDAD (“Piney Creek Weasels: Squirrel Heads & Gravy”). Negro musicians by Dock Boggs. Banjo tuning: GDGBD 1 Oh, you caused me trouble, woman. Nearly infinite. back into the coal mines..." It may very well be that Dock succumbed to In “Old-Time Mountain Banjo” Art Rosenbaum suggested this tuning for Sugar Hill and Willie Moore. Bob Carlin, Walk Along John; Big Footed Man in the Sandy Lot; Little Boy, Little Boy (“Banging and Sawing”). E. E. Boggs, father and Dock Boggs, Napoleon Boggs (a nephew), and Lee Hunsucker (ca 1915) SIDE A, BAND 1 MIXED BLUES: "Well, the 'Mixed Blues', it's my own Composition. From 1956 until 1963 Dock and Sara lived a quiet, anonymous life in Norton, Hammons family “Sugar Babe” E-minor tuning. Boggs, especially on the later recordings, is often tuned a half-step or full step low. Seventh grade is tuned even lower, to name a few keys standard... 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